By Norman G. Finkelstein, Ruth Bettina Birn
No fresh paintings of historical past has generated as a lot curiosity as Daniel Jonah Goldhagen's Hitler's keen Executioners. Purporting to resolve the secret of the Nazi holocaust, Goldhagen continues that normal Germans have been pushed via fanatical anti-Semitism to homicide the Jews. an instantaneous nationwide best-seller, the e-book went directly to create a world sensation.
Now, in A country on Trial, major critics problem Goldhagen's findings and express that his paintings isn't scholarship in any respect. With compelling cumulative impact, Norman G. Finkelstein meticulously records Goldhagen's distortions of secondary literature and the inner contradictions of his argument. In a complementary essay, Ruth Bettina Birn juxtaposes Goldhagen's textual content opposed to the German documents he consulted. the major foreign authority on those information, Birn conclusively demonstrates that Goldhagen systematically misrepresented their contents.
The definitive assertion at the Goldhagen phenomenon, this quantity can be a cautionary story at the corruption of scholarship through ideological zealotry.
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Extra resources for A Nation on Trial: The Goldhagen Thesis and Historical Truth
My back drew the heat from Portman's belly and I pressed my stomach and chest against Harry Cohens back. That afternoon I had given Portman a piece of my bread and blood sausage because I knew what he was afraid of. He gulped it down at once. Now he had the hiccups. Everything was permeated by the smoke that rose toward the sky during the day and during the night, smoke from the dead who would not have a grave. I remembered what Rabbi Gans once told us in the Vinohrady synagogue: that when they were in the Sinai desert, Moses had ordered his successor, Joshua, to bury him in the ground so that no one would find his grave.
Men whose penises had turned black, who 38 STREET OF LOST BROTHERS were skin and bone, or those with exalted feverish eyes went at a trot down the whole length of the chimney; and only the healthy ones, when the thumbs-up sign was given, could jump off and go back to their bunks. The others who did not get the thumbs-up were selected to continue to the end of the chimney and then through the back entrance down a plank to be loaded onto a truck that took them to the showers. If someone's penis got hard as he was running down the square chimney, either from excitement, from fear or cold, or from some nervous disorder, he had to run to the end of the chimney down the plank, into a car, and into the disrobing rooms, where Germans would make short shrift of his Jewish lust as well as of him, in the surest possible way.
Maybe he waited for the same reasons I did and maybe at the same time it was because he wanted to refute what I wanted to verify for myself once it began. I felt a secret shame and didn't know exactly why. It encompassed many other shames, and all were present in one question: how and why were we bom as we were bom? And probably Harry Cohen was also waiting, although he said, "You shouldn't wait for it. It gets on your nerves. " "You'd better sleep," said Portman. "Be glad that we can sleep and they're not driving us to do some loading or unloading.